Bearbeiten von „Uent the country's coastal resorts. In the Senegalese sample each“

Wechseln zu: Navigation, Suche
Du bearbeitest diese Seite unangemeldet. Wenn du sie abspeicherst, wird deine aktuelle IP-Adresse in der Versionsgeschichte aufgezeichnet und ist damit unwiderruflich öffentlich einsehbar.
Die Bearbeitung kann rückgängig gemacht werden. Bitte prüfe den Vergleich unten, um sicherzustellen, dass du dies tun möchtest, und speichere dann unten deine Änderungen, um die Bearbeitung rückgängig zu machen.

Diese Seite kann mit semantischen Annotationen in Form von bspw. [[Gehört zu::Dokumentation]] versehen werden, um strukturierte wie abfragbare Inhalte zu erfassen. Ausführliche Hinweise zum Einfügen von Annotationen oder Erstellen von Abfragen sind auf der Website zu Semantic MediaWiki verfügbar.

Aktuelle Version Dein Text
Zeile 1: Zeile 1:
Inside the Senegalese sample both male and female characters, lured by money[https://www.medchemexpress.com/MS049.html MS049 web] NIH-PA Author Manuscript NIH-PA Author Manuscript NIH-PA Author ManuscriptSoc Sci Med. Promiscuous Across the six countries, the proportion of narratives in which characters are "promiscuous" or have many sexual partners increases as prevalence decreases, from fewer than 1 in ten in Swaziland to 1 in five in Senegal. For male characters, possessing many partners may be facilitated by wealth, very good looks and getting fantastic at football. For female characters, it may be related with beauty, a wish for material goods, a lack of parental supervision and guidance, or poverty. Like commercial sex operate, the theme can hence be inflected in techniques that associate it either with immorality or with mitigating circumstances. In spite of the prevalence of your theme of promiscuity within the Senegalese sample and its clear identification as a threat factor for HIV, it tends to be treated with relative moral equanimity. As a result a single male character is described inside the following terms, "everyone inside the neighbourhood loved Laye. He was a fantastic son, but his only fault was that he liked girls a lot of and by no means employed protection" (SN, M 20?four [https://dx.doi.org/10.1590/S1679-45082016AO3696 title= S1679-45082016AO3696] U). Laye goes on to test negative for HIV and becomes an advocate for HIV prevention. In yet another narrative, a young female character has sex with all her prior suitors as a way to raise dollars for her mother to possess a life-saving operation. When she learns she has contracted HIV, she has no regrets as her action had saved her mother's life (SN, M ten?four U). Although the term "vagabondage sexuel" (i.e. promiscuity, or literally "sexual tramping") recurs repeatedly in narratives from Burkina Faso, the second lowest prevalence country, the tone is hardly ever blaming. It truly is unprotected sex as an alternative to indiscriminate sex that is vilified. Blame is reserved mainly for all those who knowingly place other folks at danger, like wealthy males who pay young girls to have unprotected sex with them or men who neglect their household responsibilities. The multiple-partner narratives that are most moralistic are these from Nigeria, where behaviour is often inflected in terms of religious morality. Hence, characters have "good" or "bad" behaviour, succumb to "temptation", ask "forgiveness" from household members, and "repent their sins". In a single narrative, a young man returning sick to his wife after two years inside the US expresses his regrets, "look at what pusuing women have performed to me... now I have contacted disease HiV AiDS. my life is no more with me, I can keep in mind what bible stated that the wages of sin is death" (NG, F ten?4 R). Around half from the Kenyan narratives that address the theme of many partners use similarly moralistic language. Many narratives illustrate the speed with which HIV spreads through a chain of sexual partners, leading to various deaths. One particular especially melodramatic narrative, in which a whole family members is infected, ends together with the words, "All the household in one particular frying [https://dx.doi.org/10.3389/fmicb.2016.01259 title= fmicb.2016.01259] pan. God forgive us" (KY, F 15?9 R). Expressions of private blame and shame Though no nation s.
+
Despite the prevalence of your theme of promiscuity in the [http://collaborate.karivass.com/members/leek8size/activity/1024885/ Ham anesthesia) or to three  isoflurane (Baxter Healthcare Corporation, IL) in oxygen] Senegalese sample and its clear identification as a danger issue for HIV, it tends to be treated with relative moral equanimity. A number of narratives illustrate the speed with which HIV spreads via a chain of sexual partners, leading to a number of deaths. One particular particularly melodramatic narrative, in which an entire family members is infected, ends with all the words, "All the household in one particular frying [https://dx.doi.org/10.3389/fmicb.2016.01259 title= fmicb.2016.01259] pan. God forgive us" (KY, F 15?9 R). Expressions of individual blame and shame Although no country s.Uent the country's coastal resorts. Within the Senegalese sample both male and female characters, lured by moneyNIH-PA Author Manuscript NIH-PA Author Manuscript NIH-PA Author ManuscriptSoc Sci Med. Author manuscript; out there in PMC 2012 October 01.Winskell et al.Pageand the guarantee of travel, are infected by foreign vacationers, from time to time intentionally. In one particular narrative, a medical doctor reprimands the parents of a newly-diagnosed young lady for letting their youngster marry a foreigner, arguing that they bring the virus and corrupt individuals with their dollars (SN, M [https://dx.doi.org/10.1097/MD.0000000000004660 title= MD.0000000000004660] 15?9 R). Promiscuous Across the six nations, the proportion of narratives in which characters are "promiscuous" or have various sexual partners increases as prevalence decreases, from fewer than one particular in ten in Swaziland to one particular in 5 in Senegal. For male characters, having many partners might be facilitated by wealth, great appears and getting good at football. For female characters, it might be connected with beauty, a need for material goods, a lack of parental supervision and guidance, or poverty. Like commercial sex operate, the theme can hence be inflected in approaches that associate it either with immorality or with mitigating situations. Despite the prevalence from the theme of promiscuity within the Senegalese sample and its clear identification as a risk aspect for HIV, it tends to be treated with relative moral equanimity. Hence one particular male character is described in the following terms, "everyone inside the neighbourhood loved Laye. He was a fantastic son, but his only fault was that he liked girls a lot of and never used protection" (SN, M 20?4 [https://dx.doi.org/10.1590/S1679-45082016AO3696 title= S1679-45082016AO3696] U). Laye goes on to test negative for HIV and becomes an advocate for HIV prevention. In yet another narrative, a young female character has sex with all her prior suitors as a way to raise funds for her mother to possess a life-saving operation. When she learns she has contracted HIV, she has no regrets as her action had saved her mother's life (SN, M ten?four U). Even though the term "vagabondage sexuel" (i.e. promiscuity, or literally "sexual tramping") recurs repeatedly in narratives from Burkina Faso, the second lowest prevalence nation, the tone is rarely blaming. It truly is unprotected sex instead of indiscriminate sex that is certainly vilified. Blame is reserved primarily for those who knowingly place other folks at danger, including wealthy men who pay young women to have unprotected sex with them or guys who neglect their household responsibilities. The multiple-partner narratives that happen to be most moralistic are those from Nigeria, where behaviour is regularly inflected in terms of religious morality.

Bitte beachte, dass alle Beiträge zu KletterWiki von anderen Mitwirkenden bearbeitet, geändert oder gelöscht werden können. Reiche hier keine Texte ein, falls du nicht willst, dass diese ohne Einschränkung geändert werden können.

Du bestätigst hiermit auch, dass du diese Texte selbst geschrieben hast oder diese von einer gemeinfreien Quelle kopiert hast (weitere Einzelheiten unter KletterWiki:Urheberrechte). ÜBERTRAGE OHNE GENEHMIGUNG KEINE URHEBERRECHTLICH GESCHÜTZTEN INHALTE!

Abbrechen | Bearbeitungshilfe (wird in einem neuen Fenster geöffnet)